Concept Batteries

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Starting stages for those little floating buggers from *batteries not included. Funny how some parts of ovies stand out more than others...

Heaven and Hell for Burton

A watercolor design/concept art by Tim Burton himself for 1989 Batman, Simple, evocative but interesting, much like Burton himself at the time.

From Pee Wees' Big Adventure to Ed Wood (my personnel favorite) Tim Burton was an amazing director full of inventions and style. Now his movies are so soaked in middle aged melodrama blandness that even lesser entries like Sleepy Hollow look good.

Perhaps Burton should have followed this thought from the Dio led Black Sabbath-now called Heaven and Hell(whatever, they put great albums, so the name doesn't matter).

Giger-mobile

Rarely seen concept art for Batman Forever by bloody H.R. Giger. Who knew?

(Cripes, Giger is one of my favorite artists and this my first post about him. More to come).

Concept art of the universe

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Concept art for a so-so movie based on a rather mediocre(at least visually) animated show. Despite that, it all looks rather impressive. More here.

Frazetta goes Galtica

Done for the original 70's series.

The American Godzilla that never was

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Perpetually in production between 1983 to 1985, this Americanized film (called Godzilla: King of the Monsters) came close to, but didn't due to budget concerns.

Of course it's impossible to judge a movie that was never made, but are there any indications? Would it be worst than the 1998 remake(Personally, I'm pretty sure that hit the bottom of barrel).

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Well, as usual for an 1980's production, the art side credentials are impeccable. First and foremost, the great William Stout (who did concept art work on Conan the Barbarian[film], Return of the Living Dead, Pan's Labyrinth, Invaders from Mars[1986 remake]) was assigned for the conceptional designs and storyboards. Famous special effects wizard Rick Baker [Star Wars, Videodrome, An American Werewolf in Paris) did work on an expressive animatronic head. And finally stop-motion expert David Allen(who already did convincing reptile movement for Q:the winged serpent, as well as Robot Jox, and the Stuff) was brought in for animation.

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The script was a big maybe: Fred Decker(co-writer of both Monster Squad and Robocop 3) designed an idea strikingly similar to Gorgon, where Godzilla is a monster looking for its child, this time the location being San Francisco. It would ravage the golden gate bridge, before meeting for a showdown on Alcatraz Island.

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But the real buzzkill was Steve Miner who, in my opinion, is a a poor director; responsible for trash the likes of Friday the 13th II-III,Halloween H20, Lake Placid, and the absolutely terrible Day of the Dead remake[2008]. All of which are poorly directed and lack any real punch. However, he did direct the decent House[which involved Dekker and Stout] around the same time as this proposed movie, so at least he knew how to leave good art direction alone.

But that still leaves the question of cinematographer(something very important to the believability of the film) and the fact it was to be in 3-d(which made Allen unsure if the motion would translate well to the 3rd dimension). Maybe it was for the best that it never got made. The word will never know.

All art above by William Stout

Note: I forgot that Miner did the quite good Warlock, but that is more attributed to the writing of David Twohy, who wrote and directed Pitch Black, amongst other good genre fare.

A big thank you to Be still my Blog of war !

Edit: Now, a Godzilla film that keeps all the art staff, but tosses Miner and replaces him with say. . . John Carpenter and have Dean Cundey as dp, that would be a Godzilla film worth watching!

Adams and Hooper, together in The Funhouse

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I've mentioned it before, but The Funhouse is one hell of an enjoyable movie. It's a trippy movie, fully mocking the slasher phenomenon of time while appearing to be one, a full 16 years before Scream. It's got great locations, fine acting, and wonderful cinematography bu Andrew Laszlo( who also cinemagraphed First Blood,The Warriors, and You're a Big Boy Now).

Hooper was greatly influenced by EC Comics and naturally had a appreciation for the fire work of the artists involved. He picked one of the best ones, Neal Adams, to design sketches for the film. Hooper does the artwork justice and then some in this film. Check it out. it's even in it's entirety on Youtube( as of this moment)